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Tatraapi Films

तत्रthereअपिevenEven there • Even then • Nevertheless

Modern science and technology meeting ancient scripture, played at the scale of one family. Written, financed and structured. What is left is the people.

Click the sky for a shooting star

About Us • The Banner

Crafting original stories with cinematic depth

Tatraapi Films is an independent banner from Bengaluru, founded by Deepak Abbhi alongside core collaborators Jaishankar Aryar and Shilpa Jangam.

Currently crafting our debut feature film, we are passionate about original ideas and cinematic depth. Come along for the journey as we bring fresh stories to life.

The Four Ideas

Four ideas we keep coming back to

I

Production Axis • Three Cities

Filming Locations

Bengaluru Varanasi New York

Tap a city to see it

Screenplay Locked • Pre-Production

TATRAAPI

(तत्रापि)

Spiritual family drama. Performed bilingually.

Decisions get made in one room with no development limbo and no outside financing contingencies.

Film • Genre & Tone

Modern science and technology meeting ancient scripture

Spiritual family drama. Performed bilingually.

Played at the scale of one family. A roboticist, a molecular biologist, a cosmologist, a palliative-care doctor and a Vedanta scholar around the same dinner table. Warm, argumentative, and unwilling to make anybody the villain.

The Story

A question he was silenced for asking at eight

Aakash Mishra builds machines that can look at a face and tell you the person is frightened. He is good at it, he is well paid for it, and he has never been able to explain why a question he was silenced for asking as a boy has stayed with him for twenty years.

Then his father walks down to the Ganges on a Tuesday evening and does not come back. Aakash goes to India with a fortnight to close the round that will make him rich and a woman at home who has stopped waiting — and finds his father alive in a house shut for eleven years: a professor of molecular biology who has spent forty years explaining the origin of life to lecture halls and has never once been able to answer his own son.

Across a lecture hall, a river at Varanasi, a wedding and a long family table, science and scripture keep finding each other — not as a debate to be won, but as something Aakash has to learn to live inside.

When he reaches an answer it isn’t the kind you can prove, and holding on to it costs him more than he expected to pay.

Cinematic Kinship • Comps:
  • The Namesake
  • Life of Pi
  • The Lunchbox
  • The Man Who Knew Infinity
  • PK
  • The Tree of Life
What The Film Is About — Core Questions
01.SC 01 · TK 100:04:12

Why does a roboticist light a lamp in front of his investors?

02.SC 02 · TK 100:41:37

What is a person, if you can specify every part of them?

03.SC 03 · TK 101:18:05

What does it cost to believe something you can’t defend?

04.SC 04 · PAGE 1Withheld

The fourth question is withheld.

Asked on page one by an eight-year-old. Unanswered for twenty years. You’ll read it first in the script.

Who We Are • The Company

A young production house making one film that counts

  • 01Deepak AbbhiWriter • Director • ProducerWrote Tatraapi and is directing it. Producing and financing the film himself through Tatraapi Films, LLC. Tatraapi is his first feature.
  • 02Jaishankar AryarCo-DirectorAn independent filmmaker from Karnataka, known for grounded, neo-realistic storytelling and authentic regional human narratives.
  • 03Suchendra PrasadAssociate Producer • Creative & DevelopmentCarries the project’s Sanatana Dharma expertise, with his team, across the screenplay and the production.
  • 04Shilpa JangamVice President • India OperationsManages Tatraapi Films India Operations, overseeing legal affairs, operations, and overall management.
Director
D
Photo coming soon
National Contest • Edition One • 2026

National Level Screenwriting Competition

A national contest from Bengaluru, open to writers across India. The three winners join the writing team of our upcoming feature film.

Submissions Open

Three rounds

  1. Round 1Send a three-page treatment, outline or synopsis of your own story. Any genre, any style.
  2. Round 2Selected writers write a three-page outline for a concept we give them.
  3. Round 3The final task is announced to the selected writers.
₹50,000Winner
₹25,000First runner-up
₹10,000Second runner-up

All three winners get one-on-one mentorship from a celebrity screenwriter and a seat on the writing team of our next film. Every entry is reviewed in-house by Jaishankar Aryar and Prithvi Konanur.

// Official Initiative • Screenwriting Competition

Ready to Apply?

Round 1 is open. Send us three pages of your story: a treatment, outline or synopsis.

Submissions Open
Enquiry & News • Where It Stands

Written, financed and structured

What’s left is the people. Talking to writers, department heads and actors now.

  1. ScreenplayComplete

    Going into a professional polish pass.

  2. Hindi versionIn preparation

    A full transcreation against the current draft, not a dub script. Commissioning now.

  3. FinancingProducer-financed

    No development limbo and no financing contingency. Decisions get made in one room.

  4. StructureUS parent, Indian subsidiary

    Tatraapi Films, LLC holds all IP. Production entity established in Bengaluru.

  5. CastingOpen

    Nothing attached yet. Bilingual performance is a core requirement, not a preference.

  6. ShootNot yet dated

    Scheduling follows the polish pass and the department-head appointments.

Who We’re Looking For

Talent & Collaboration Intake

Representation, direct approaches and recommendations are all welcome.

Reels, credits and a sentence about what you’d want to do with the material go further here than a cover letter.

  • A polish pass on a completed draft, not a rewrite: structural notes first, then English dialogue. Separately, a Hindi transcreation of the full script — a re-finding, not a translation — and a lyricist, for one original song written into the screenplay and the sung material around it.

  • A film that lives at family tables and on a river, in two languages at once. Someone who can hold an argument in a wide shot and still break your heart in a close-up, and who can carry a Varanasi block and a New York block without them looking like two different films.

  • Score plus a small amount of sung material, including one original song written into the script. The film is quiet more often than it is grand, and the music has to know the difference. Comfort across Hindi and English is essential.

  • Freelance, Bengaluru-based. A bilingual shoot across two countries with a Varanasi location block. Experience running an India–US split schedule matters more than the size of the last budget.

  • Nine substantial roles, several of them for actors in their fifties and sixties, and two demanding child parts. Most principals need Hindi and English at performance level and must move between them inside a single scene.

  • A small motion-design department rather than general VFX. Practical and in-camera wherever possible; one authored visual language for the film’s few stylised sequences.

One letter a month, from the producer

Not announcements. What we decided that month, what we got wrong, and what we are arguing about.

Written by Deepak, sent roughly monthly, and easy to leave.

We use your address for this letter and nothing else, we don’t share it, and every email has an unsubscribe link. See the privacy notice.

Get In Touch

“Even there. Even then. Nevertheless.”

Tatraapi is written, financed and structured, making one film properly across Bengaluru, Varanasi and New York. Stay connected with our official channels for casting announcements, festival updates, and production letters:

EnquiriesEmail Production Desk
Production Company

Tatraapi Films, LLC — United States

Tatraapi Films India Pvt Ltd — India

Office

Jayanagar, Bengaluru, India

Registered: Tatraapi Films, LLC

If you’re sending material of your own, please read the note on unsolicited submissions first.